NORMAN ROCKWELL: A BRIEF BIOGRAPHY

Born in New York City in 1894, Norman Rockwell always wanted to be an artist. At age 14, Rockwell enrolled in art classes at The New York School of Art (formerly The Chase School of Art). Two years later, in 1910, he left high school to study art at The National Academy of Design. He soon transferred to The Art Students League, where he studied with Thomas Fogarty and George Bridgman. Fogarty’s instruction in illustration prepared Rockwell for his first commercial commissions. From Bridgman, Rockwell learned the technical skills on which he relied throughout his long career.

Rockwell found success early. He painted his first commission of four Christmas cards before his sixteenth birthday. While still in his teens, he was hired as art director of Boys’ Life, the official publication of the Boy Scouts of America, and began a successful freelance career illustrating a variety of young people’s publications.

At age 21, Rockwell’s family moved to New Rochelle, New York, a community whose residents included such famous illustrators as J.C. and Frank Leyendecker and Howard Chandler Christy. There, Rockwell set up a studio with the cartoonist Clyde Forsythe and produced work for such magazines as Life, Literary Digest, and Country Gentleman. In 1916, the 22-year-old Rockwell painted his first cover for The Saturday Evening Post, the magazine considered by Rockwell to be the “greatest show window in America.” Over the next 47 years, another 321 Rockwell covers would appear on the cover of the Post. Also in 1916, Rockwell married Irene O’Connor; they divorced in 1930.

The 1930s and 1940s are generally considered to be the most fruitful decades of Rockwell’s career. In 1930 he married Mary Barstow, a schoolteacher, and the couple had three sons, Jarvis, Thomas, and Peter. The family moved to Arlington, Vermont, in 1939, and Rockwell’s work began to reflect small-town American life.

In 1943, inspired by President Franklin Roosevelt’s address to Congress, Rockwell painted the Four Freedoms paintings. They were reproduced in four consecutive issues of The Saturday Evening Post with essays by contemporary writers. Rockwell’s interpretations ofFreedom of Speech, Freedom to Worship, Freedom from Want, and Freedom from Fear proved to be enormously popular. The works toured the United States in an exhibition that was jointly sponsored by the Post and the U.S. Treasury Department and, through the sale of war bonds, raised more than $130 million for the war effort.

Norman Rockwell (1894-1978), "Freedom of Speech," 1943

Norman Rockwell (1894-1978), Freedom of Speech, 1943. Illustration for The Saturday Evening Post, February 20, 1943. From the collection of Norman Rockwell Museum. © 1943 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. All rights reserved.

"Freedom of Worship," 1943, Norman Rockwell (1894-1978). Oil on canvas, 46” x 35 ½”. Story illustration for "The Saturday Evening Post," February 27, 1943. Norman Rockwell Museum Collections. ©1943 SEPS: Curtis Publishing, Indianapolis, IN

Norman Rockwell (1894-1978), Freedom of Worship, 1943. Illustration for The Saturday Evening Post, February 27, 1943. From the collection of Norman Rockwell Museum. © 1943 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. All rights reserved.

"Freedom from Want," Norman Rockwell, 1943. Norman Rockwell Museum Collections. ©1943 SEPS: Curtis Publishing, Indianapolis, IN

Norman Rockwell (1894-1978), Freedom From Want, 1943. Illustration for The Saturday Evening Post, March, 6, 1943. From the collection of Norman Rockwell Museum. © 1943 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. All rights reserved.

Norman Rockwell (1894-1978), "Freedom From Fear," 1943

Norman Rockwell (1894-1978), Freedom From Fear, 1943. Illustration for The Saturday Evening Post, March, 13, 1943. From the collection of Norman Rockwell Museum. © 1943 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. All rights reserved.

Although the Four Freedoms series was a great success, 1943 also brought Rockwell an enormous loss. A fire destroyed his Arlington studio as well as numerous paintings and his collection of historical costumes and props.

In 1953, the Rockwell family moved from Arlington, Vermont, to Stockbridge, Massachusetts. Six years later, Mary Barstow Rockwell died unexpectedly. In collaboration with his son Thomas, Rockwell published his autobiography, My Adventures as an Illustrator, in 1960. The Saturday Evening Post carried excerpts from the best-selling book in eight consecutive issues, with Rockwell’s Triple Self-Portrait on the cover of the first.

In 1961, Rockwell married Molly Punderson, a retired teacher. Two years later, he ended his 47-year association with The Saturday Evening Post and began to work for Look magazine. During his 10-year association with Look, Rockwell painted pictures illustrating some of his deepest concerns and interests, including civil rights, America’s war on poverty, and the exploration of space.

In 1973, Rockwell established a trust to preserve his artistic legacy by placing his works in the custodianship of the Old Corner House Stockbridge Historical Society, later to become Norman Rockwell Museum at Stockbridge. The trust now forms the core of the Museum’s permanent collections. In 1976, in failing health, Rockwell became concerned about the future of his studio. He arranged to have his studio and its contents added to the trust. In 1977, Rockwell received the nation’s highest civilian honor, the Presidential Medal of Freedom. He died peacefully at his home in Stockbridge on November 8, 1978, at the age of 84.

In 2008, Rockwell was named the official state artist of the Commonwealth of Massachusetts, thanks to a dedicated effort from students in Berkshire County, where Rockwell lived for the last 25 years of his life.

View 100 Years of Norman Rockwell exhibitions > 

Old Corner House (Norman Rockwell Museum), Stockbridge, MA

NORMAN ROCKWELL’S BIKE ROUTE

Here is a map of one common route that Norman Rockwell would frequently ride. Start with the green marker and follow the blue trail to one of Rockwell’s favorite destinations, Lake Averic. Incidentally, Lake Averic is the water supply for the town of Stockbridge. Try the bike route yourself!

Image Credits:

Norman Rockwell (1894-1978), Before the Shot, 1958. Cover illustration for The Saturday Evening Post, March 15, 1958. From the collection of Norman Rockwell Museum. © 1958 SEPS: Curtis Licensing, Indianapolis, IN. All rights reserved.

Norman Rockwell (1894-1978), Willie Gillis: USO, 1942. Cover illustration for The Saturday Evening Post, February 7, 1942. © 1942 SEPS: Curtis Licensing, Indianapolis, IN. All rights reserved.

Norman Rockwell (1894-1978), Girl Reading the Post, 1941. Cover illustration for The Saturday Evening Post, March 1, 1941. From the collection of Norman Rockwell Museum. © 1941 SEPS: Curtis Licensing, Indianapolis, IN. All rights reserved.

Norman Rockwell (1894-1978), Artist Facing Blank Canvas (Deadline), 1938. Cover illustration for The Saturday Evening Post, October 8, 1938. From the collection of Norman Rockwell Museum. © 1938 SEPS: Curtis Licensing, Indianapolis, IN. All rights reserved.

Norman Rockwell (1894-1978), Pirate Dreaming of Home, 1924. Cover illustration for The Saturday Evening Post, August 30, 1924. From the collection of Norman Rockwell Museum. © 1924 SEPS: Curtis Licensing, Indianapolis, IN. All rights reserved.