Jan Brett: Stories Near and Far

Host this Exhibition!

This exhibition is available to be hosted at your venue.  For more information, please contact travelingexhibitions@nrm.org. Laurie Tang: 413-931-2232

With over forty million books in print, Jan Brett is one of the nation’s foremost and most widely read author/illustrators for children. This lively exhibition explores the breadth of Brett’s art and the travel experiences that have inspired her many children’s books and characters. Favorite stories, from Gingerbread Friends, The Umbrella, and Honey…Honey to her most recent published book, Cozy, are represented by more than eighty original artworks, as well as reference materials and selections from the artist’s collection of unique objects and artifacts. Artworks from Daisy Comes Home; Gingerbread Baby; Hedgie Blasts Off! The Three Snow Bears; The Animals’ Santa; The Mermaid; Cinders, A Chicken Cinderella; On Noah’s Ark; The Turnip; and The Snowy Nap are among the full-color originals from the artist’s books to be enjoyed. A video interview with Brett, an exhibition audio tour in the artist’s voice, and recorded book readings will be featured in the galleries and online.

This exhibition is supported in part by:

Max and Victoria Dreyfus Foundation
Ruth Krauss Foundation

Hedgie - Jan Brett

Jan Brett
Hedgie
Watercolor on paper
Collection of the artist

The Art of Jan Brett

Jan Brett’s global perspective has been inspired by her appreciation for world cultures and her many travel experiences, which have taken her from Arctic Sweden to Namibia, and from Costa Rica to China. The rich traditions and cultures of the countries she visits serve as a starting point for her stories, and the artist’s home is filled with objects and artifacts that she has collected along the way—including a selection that will be shared publicly in this special exhibition.

Brett’s acquisitions have inspired fond memories and are the impetus for the many books that she has written and illustrated throughout her prolific three decade career. Her art invites readers to linger over intricately detailed images filled with expressive characters, natural and seasonal wonders, architectural elements, and uniquely ornate pictorial borders, inspiring engagement, discovery, and a love of reading in children, who are drawn to her warm narratives. Decorative elements of an antique pitcher from Germany appear on a ceramic bowl in her illustrations, and springerle molds from Germany and Switzerland are replicated on endpapers and borders in her joyful Gingerbread books. Freshly shed moose antlers found in the wild in North Sweden appear as an impromptu toboggan in Home for Christmas, reflecting the artist’s interest in repurposing unexpected elements with creativity and imagination.

When Brett was in Botswana, a guide told her of a bird called the honeyguide which uses its call to lure humans to bee’s nests—once humans open the nests, the bird is able to access the wax comb. The honeyguide and the folklore surrounding it inspired the artist’s popular Honey . . . Honey . . . Lion! which is featured in the exhibition. On a bird-watching trip to Namibia, Brett came across the rock hyrax, small rodents known colloquially as dassie that became the stars of The 3 Little Dassies. A set of dolls and samples of cloth from the villages she visited in Namibia inspired the colors and patterns for page borders as well as the traditional clothing in which she dressed her characters.

One of Brett’s favorite books, Berlioz the Bear, was set at Tanglewood, the Boston Symphony Orchestra’s summer home in Stockbridge, MA, where the Norman Rockwell Museum is also located, and the book’s setting drew upon an orchestra tour to Germany and Austria. Berlioz is based upon her husband, musician Joe Hearne, and other characters were inspired by his fellow orchestra members. Additional details were drawn from further travels and Brett’s many visits to museums, which allowed her to seek out and photograph particular decorative elements for her art. In one museum, she recalls discovering the perfect wagon to replicate in her book. Determined to capture as much detail as possible, she photographed the wagon from every perspective, including a birds-eye view from atop her husband’s shoulders. When Brett returned home, she had a scale replica of the blue wagon specially constructed to ensure authenticity in her art. Despite Brett’s love of travel, some of her books are set closer to home. Mossy unfolds by a turtle pond in Hingham, MA, and The Easter Egg is set in her hometown of Norwell. Others are set in “Jan Land,” the colorful made-up world that exists only in the artist’s vivid imagination.

An avid storyteller, Brett enjoys sharing her enthusiasm for the things around her. “The world is so incredibly magnificent,” she has said. “I feel like [I’m discovering] just the tip of the iceberg.” “I used to feel that I could just disappear into a book. So when a child opens [one of my books], I want them to feel like they could just walk right into the forest and know what it feels like and smells like….It’s about making a fantasy place a real place. . . . that’s the key to storytelling.”

ABOUT THE ARTIST

Jan Brett

With over forty one million books in print, Jan Brett is one of the nation’s foremost author illustrators of children’s books.   Jan lives in a seacoast town in Massachusetts, close to where she grew up.   During the summer her family moves to a home in the Berkshire Hills of Massachusetts.

As a child, Jan Brett decided to be an illustrator and spent many hours reading and drawing. She says, “I remember the special quiet of rainy days when I felt that I could enter the pages of my beautiful picture books. Now I try to recreate that feeling of believing that the imaginary place I’m drawing really exists. The detail in my work helps to convince me, and I hope others as well, that such places might be real.”

As a student at the Boston Museum School, she spent hours in the Museum of Fine Arts. “It was overwhelming to see the room-size landscapes and towering stone sculptures, and then moments later to refocus on delicately embroidered kimonos and ancient porcelain,” she says. “I’m delighted and surprised when fragments of these beautiful images come back to me in my painting.”

Travel is also a constant inspiration. Together with her husband, Joe Hearne, who is a member of the Boston Symphony Orchestra, Jan visits many different countries where she researches the architecture and costumes that appear in her work. “From cave paintings to Norwegian sleighs, to Japanese gardens, I study the traditions of the many countries I visit and use them as a starting point for my children’s books.”

Jan Brett Scavenger Hunts

Father Badger Ambled Over, 2015

Here are three scavenger hunts you can try when you visit the exhibition at the Museum.  Access them on your mobile device or just grab a printed copy at the Museum!  Fun for the whole family!

IMAGES

Trepak, The Nutcracker, 2021

Jan Brett
Trepak, 2021
Illustration for The Nutcracker, 2021
Watercolor on paper
Collection of the artist

Tea, The Nutcracker, 2021

Jan Brett
Tea, 2021
Illustration for The Nutcracker, 2021
Watercolor on paper
Collection of the artist

Main Street, Stockbridge - 2011

Jan Brett
Main Street, Stockbridge
Illustration for The Night Before Christmas, 2011
Watercolor on paper
Collection of the artist

Scritchy, Scratchy - 2008

Jan Brett
Scritchy Scratchy, 2008
Illustration for Gingerbread Friends by Jan Brett, G.P. Putnam’s Sons, 2008
Watercolor on paper
Collection of the artist

Animals of Nunavut, 2007

Jan Brett
Animals of Nunavut, 2007
End paper illustration for The Three Snow Bears by Jan Brett, G.P. Putnam’s Sons, 2007
Watercolor on paper
Collection of the artist

Father Badger Ambled Over, 2015

Jan Brett
Father Badger Ambled Over, 2015
Illustration for The Turnip by Jan Brett, G.P. Putnam’s Sons, 2015
Watercolor on paper
Collection of the artist

It Rains and Rains and Rains, 2003

Jan Brett
It Rains and Rains and Rains, 2003
Illustration for On Noah’s Ark by Jan Brett, G.P. Putnam’s Sons, 2003
Watercolor on paper
Collection of the artist

The Old Biddy Largressa and Her Daughters, 2013

Jan Brett
The Old Biddy Largressa and Her Daughters, 2013
Cover Illustration for Cinders: A Chicken Cinderella by Jan Brett, G.P. Putnam’s Sons, 2013
Watercolor on paper
Collection of the artist

Arctic Fox’s nose was turning blue, 2020

Jan Brett
Arctic Fox’s nose was turning blue, 2020
Illustration for Cozy by Jan Brett
Watercolor on paper
Collection of the artist

Cozy’s lodgers started heading to their spring homes, 2020

Jan Brett
Cozy’s lodgers started heading to their spring homes, 2020
Illustration for Cozy by Jan Brett
Watercolor on paper
Collection of the artist

MEDIA

VENUE(S)

This exhibition is available to be hosted at your venue.  For more information, please contact travelingexhibitions@nrm.org.