June 8 through October 27, 2019

In February 1959, Norman Rockwell appeared on Edward R. Murrow’s celebrity interview show, Person to Person. For decades, Rockwell had painted wholesome scenes of American life, and Murrow interviewed Rockwell at his home in the bucolic small town of Stockbridge, Massachusetts. On the program, the artist described how much he and his family loved living in Stockbridge, never mentioning, of course, that they had made the town their home because it was also home to the Austen Riggs Center, a psychiatric institute where his wife, Mary, had been receiving treatment. Several years earlier, at a challenging time in his life, Rockwell himself had entered therapy at Riggs with Erik Erikson, a renowned developmental psychoanalyst who is perhaps best known for coining the phrase, “identity crisis.” The two men, both giants in their fields, became both confidants and friends, and as revealed in this exhibition, their far-reaching discussions fueled and influenced aspects of their work.

The development of identity was among Erikson’s greatest concerns, both personally and as a theorist. He maintained that, from infancy to childhood, personality is formed in a predetermined order through eight stages of psychosocial development, garnering varied outcomes dependent upon one’s experience. Highly regarded for this work, Erikson had not always been certain about his direction and vocation. In his youth, he considered the possibility of life as an artist, and traveled through Germany and Italy where he sold or traded artworks along the way.

Designed in collaboration with the Austen Riggs Center—a vital therapeutic community now in its 100th year—the exhibition will explore the relationship of the artist and the psychoanalyst, who fueled each other’s creativity in unique and important ways. Rockwell and Erikson’s artworks, rare photographs, personal correspondence, and video installations will be on view.

Learn more about the Austen Riggs Center’s Centennial exhibit at the Old Corner House here…

Major sponsors: Audrey and Ralph Friedner and TD Bank

Norman Rockwell (1894-1978) Portrait of Erik Erikson, 1962. Charcoal on paper. Collection of Austen Riggs Center, Stockbridge, MA

Norman Rockwell and Mollie Rockwell with Erik and Joan Erikson in his Stockbridge Studio, 1962. Photograph. Norman Rockwell Museum Collection. ©Norman Rockwell Family Agency


Born in New York City, Norman Rockwell always wanted to be an artist. At age 14, Rockwell enrolled in art classes at The New York School of Art (formerly The Chase School of Art). Two years later, in 1910, he left high school to study art at The National Academy of Design. He soon transferred to The Art Students League, where he studied with Thomas Fogarty and George Bridgman. Fogarty’s instruction in illustration prepared Rockwell for his first commercial commissions. From Bridgman, Rockwell learned the technical skills on which he relied throughout his long career.

Rockwell found success early. He painted his first commission of four Christmas cards before his sixteenth birthday. While still in his teens, he was hired as art director of Boys’ Life, the official publication of the Boy Scouts of America, and began a successful freelance career illustrating a variety of young people’s publications.

At age 21, Rockwell’s family moved to New Rochelle, New York, a community whose residents included such famous illustrators as J.C. and Frank Leyendecker and Howard Chandler Christy. There, Rockwell set up a studio with the cartoonist Clyde Forsythe and produced work for such magazines as Life, Literary Digest, and Country Gentleman. In 1916, the 22-year-old Rockwell painted his first cover for The Saturday Evening Post, the magazine considered by Rockwell to be the “greatest show window in America.” Over the next 47 years, another 321 Rockwell covers would appear on the cover of the Post. Also in 1916, Rockwell married Irene O’Connor; they divorced in 1930.

The 1930s and 1940s are generally considered to be the most fruitful decades of Rockwell’s career. In 1930 he married Mary Barstow, a schoolteacher, and the couple had three sons, Jarvis, Thomas, and Peter. The family moved to Arlington, Vermont, in 1939, and Rockwell’s work began to reflect small-town American life.

In 1943, inspired by President Franklin Roosevelt’s address to Congress, Rockwell painted the Four Freedoms paintings. They were reproduced in four consecutive issues of The Saturday Evening Post with essays by contemporary writers. Rockwell’s interpretations of Freedom of Speech, Freedom to Worship, Freedom from Want, and Freedom from Fear proved to be enormously popular. The works toured the United States in an exhibition that was jointly sponsored by the Post and the U.S. Treasury Department and, through the sale of war bonds, raised more than $130 million for the war effort.

Although the Four Freedoms series was a great success, 1943 also brought Rockwell an enormous loss. A fire destroyed his Arlington studio as well as numerous paintings and his collection of historical costumes and props.

In 1953, the Rockwell family moved from Arlington, Vermont, to Stockbridge, Massachusetts. Six years later, Mary Barstow Rockwell died unexpectedly. In collaboration with his son Thomas, Rockwell published his autobiography, My Adventures as an Illustrator, in 1960. The Saturday Evening Post carried excerpts from the best-selling book in eight consecutive issues, with Rockwell’s Triple Self-Portrait on the cover of the first.

In 1961, Rockwell married Molly Punderson, a retired teacher. Two years later, he ended his 47-year association with The Saturday Evening Post and began to work for Look magazine. During his 10-year association with Look, Rockwell painted pictures illustrating some of his deepest concerns and interests, including civil rights, America’s war on poverty, and the exploration of space.

In 1973, Rockwell established a trust to preserve his artistic legacy by placing his works in the custodianship of the Old Corner House Stockbridge Historical Society, later to become Norman Rockwell Museum at Stockbridge. The trust now forms the core of the Museum’s permanent collections. In 1976, in failing health, Rockwell became concerned about the future of his studio. He arranged to have his studio and its contents added to the trust. In 1977, Rockwell received the nation’s highest civilian honor, the Presidential Medal of Freedom.


Norman Rockwell (1894-1978) Portrait of Erik Erikson, 1962. Charcoal on paper. Collection of Austen Riggs Center, Stockbridge, MA

Norman Rockwell and Mollie Rockwell with Erik and Joan Erikson in his Stockbridge Studio, 1962. Photograph. Norman Rockwell Museum Collection. ©Norman Rockwell Family Agency


Fri 17

Daily Talks

January 17
Sat 18

Virtual Reality Rockwell!

January 18 @ 11:00 am - 2:00 pm
Sun 19

NRM Storybooth: Record Your Story!

January 19 @ 2:00 pm - 4:00 pm