Norman Rockwell Museum is a testament to the life, art, and enduring spirit of Norman Rockwell, as well as a celebration of his chosen field of illustration. Preeminent in its focus on this important art form, the Museum offers a diverse exhibition program that documents and explores the breadth of the field. The Museum's exhibitions strive to inspire an appreciation and understanding of Rockwell's art within the context of the illustration world. Our presentations also explore the impact and significance of Rockwell's work and examine the history and evolution of the artist's beloved profession. Featuring both historical and contemporary exhibitions, the Museum is distinguished as an important center for study and scholarship within - and beyond - the field of illustration. Join us for a fascinating look at the world of contemporary illustration and come back often to become acquainted with a broad spectrum of contemporary artists working in all aspects of the field, from cartooning and animation to book, magazine, and advertising illustration. | |||
| Norman Rockwell and IllustrationBeyond the legendary status that he had already achieved nearly four decades before his death in 1978, Norman Rockwell was a remarkable painter, a gifted storyteller, and a masterful technician who conveyed a distinct, personal message. Rockwell created images that described universal human experiences within a particularly American context. His ability to reveal the deeper meaning in commonplace situations captivates audiences to this day. | ||
| Illustrator Showcase: I remembered Sparky’s early words to me, admonishing me to learn to draw better and avoid obvious ideas. I quit my job to devote myself fully to drawing the best cartoon strip I could, with the most original ideas I could come up with. | ||
| Illustrators’ Roundtable: On August 2, 2001, Norman Rockwell Museum at Stockbridge welcomed four of the nation’s leading illustrators as they reflected upon Norman Rockwell’s influence on the field of illustration and on their own artwork. The discussion inspired intriguing commentary from the panel, which included Teresa Fasolino, Wendell Minor, Tim O’Brien and C.F. Payne. | ||
