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Reference photo for Norman Rockwell's "The Optician"
Reference photo for Norman Rockwell’s “The Optician.” Licensed by Norman Rockwell Licensing, Niles, IL. From the permanent collection of Norman Rockwell Museum.
Norman Rockwell Museum will present an afternoon with original Norman Rockwell models on Saturday, September, 18, from 12 to 4 p.m. Meet Dick Clemens and Eddie Locke, who posed for Rockwell’s classic 1958 painting The Runaway, and other fellow models who will share their stories about working for America’s favorite illustrator. The afternoon will include special gallery talks, as well as a print signing. Visitors will also have the opportunity to try their own hand at posing for the picture, in a special Runaway-inspired lunch counter created by Lt. Thomas McNulty. The afternoon is free with regular Museum admission.  

Currently on view:
Norman Rockwell’s 323 Saturday Evening Post Covers

For nearly fifty years, millions of Americans brought Norman Rockwell’s art into their homes, enjoying the artist’s Saturday Evening Post covers while seated in their favorite chairs, surrounded by their belongings in the company of their families. This intimate connection with Rockwell’s art made his images a part of the fabric of American lives. This comprehensive exhibition of original Saturday Evening Post cover tear sheets features each of Norman Rockwell’s illustrations for the publication, created between 1916 and 1963.

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Witness: The Art of Jerry Pinkney on view November 13, 2010 through May 31, 2011

Artist Jerry Pinkney in his studio, 2008. Photo by Thomas Kristich. All rights reserved.

Following the recent honor of receiving the 2010 Caldecott Medal for his children’s picturebook The Lion and the Mouse, artist Jerry Pinkney will be further recognized this fall with the first major overview of his extraordinary and influential career, which spans 50 years; Witness: The Art of Jerry Pinkney will be on view at Norman Rockwell Museum from November 13, 2010, through May 31, 2011.

“This groundbreaking exhibition examines how one very talented artist managed to overcome obstacles and create powerful stories that have literally become the country’s collective memory,” says Norman Rockwell Museum Deputy Director Stephanie Plunkett, who co-curated the exhibition. “Jerry Pinkney is the master of the American picturebook,” says Rockwell Center for American Visual Studies curator Dr. Joyce K. Schiller. “He has managed to bring historical events to life through the magic of his beautiful and sometimes fanciful imagery.”

Witness: The Art of Jerry Pinkney presents an overview of the artist’s long and varied career as a designer and illustrator. The exhibition touches on such deeply felt personal and cultural themes as the African-American experience; the wonders of classic literature; and the wisdom in well-loved folk tales. A belief in the ability of images to speak about and to humanity is at the artist’s core, and the works featured in the exhibition celebrate both small yet extraordinary moments, as well as significant historical events, reflecting the transformative power of visual storytelling in our lives.

More than 140 of Mr. Pinkney’s luminous watercolors illustrations will be on full display, and include work from such classic picture books as A Patchwork Quilt (1985), Home Place (1990), John Henry (1994), Minty: A Story of a Young Harriet Tubman (1996), Black Cowboy, Wild Horses (1998), The Little Match Girl (1999), Uncle Remus: The Complete Tales (1999), The Old African (2005), The Lion and the Mouse (2009), and Sweethearts of Rhythm (2009). Illustrated commissions for such clients as music artists, National Geographic, and The African Burial Ground Interpretive Center will also be on view, as well as a collection of the artist’s supplies, personal photos, book awards, and video and interactive displays, which further highlight the artist’s career and inspirations.

“I feel I’ve been helping to establish a new cultural understanding,” says Pinkney. “As I learn about a new subject, I in turn open the door for other to also learn.”

About Jerry Pinkney

A native of Philadelphia, Jerry Pinkney studied at the Philadelphia College of Art (now the University of the Arts) where, in 1992 he received the Alumni Award.  He has been illustrating children’s books since 1964, and has produced illustrations for over one hundred titles. He has been the recipient of a Caldecott Medal for the recent book The Lion & The Mouse, as well as five Caldecott Honor Medals, five Coretta Scott King Awards, four Coretta Scott King Honor Awards, and many other accolades. His books have been translated into 11 languages, and published in 14 different countries. In 2003, he received the Honorary Doctor of Fine Arts from the Art Institute of Boston at Lesley University. Also, Pinkney was a United States nominee for the 1997 Hans Christian Andersen Illustration Medal.  He was awarded four gold medals, four silver medals, the Hamilton King Award, four New York Times Best Illustrated Book awards, and in 2006 the Original Art’s Lifetime Achievement Award from the Society of Illustrators, New York, New York.

In addition to his work in children’s books, the artist has illustrated for a wide variety of clients, including the United States Postal Service, National Park Service, and National Geographic. Mr. Pinkney was appointed to serve on the United States Postal Services Citizens Stamp Advisory Committee (1982-1992), and in 2001 was invited by First Lady Laura Bush to illustrate and design the White House Christmas Program.  He has held professorships teaching art at Pratt Institute, Brooklyn, New York; the University of Delaware, Newark, Delaware; and the University of Buffalo, Buffalo, New York. In 2003, Pinkney was appointed to the National Council of the Arts (2003-2009). His art can be found in the permanent collections at the Library of Congress, the New York Public Library, the Delaware Art Museum and the Brandywine River Art Museum. A past trustee for the Eric Carle Museum of Picture Book Art and the Katonah Museum of Art, the artist has had over 30 one-man retrospectives at venues ranging from the Art Institute of Chicago, Chicago, Illinois, to the California African American Museum, Los Angeles, California. He has exhibited in over one hundred group shows in the USA, Japan, Russia, Italy, Taiwan and Jamaica. He lives with his wife, author Gloria Jean, in Westchester County, New York.

Opening Week Related Programs and Events

Exhibition Opening

A member’s opening reception for Witness: The Art of Jerry Pinkney will be held at Norman Rockwell Museum on Saturday, November 13, from 6 to 8 p.m. The evening will include remarks by Jerry Pinkney, delicious hors d’oeuvres, a cash bar, and swinging live music. Cost and additional information are to be announced.

FAMILY DAY

The Lion and the Mouse: The Art of Jerry Pinkney

Sunday, November 14, 1 to 4 p.m.

Meet Jerry Pinkney, America’s most popular children’s book illustrator, during this festive afternoon featuring readings, talks, performances, and book-signings with the artist himself. Free for children 18 and under, adults free with regular Museum admission.

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Artwork by William Steig. ©William Steig. All rights reserved.

Artwork by William Steig. ©William Steig. All rights reserved. From the permanent collection of Norman Rockwell Museum, gift of Jeanne Steig.

Norman Rockwell Museum Exhibition to Showcase Donated Illustration Art Collection
from “The King of Cartoons”

William Steig: Love and Laughter
on View June 12 through October 31, 2010

Stockbridge, MA, May 10, 2010- Once named the “King of Cartoons” by Newsweek magazine, William Steig (1907-2003) is renowned for his uproarious comic art, and such best-selling illustrated books as the
Caldecott-winning Sylvester and the Magic Pebble, and Shrek! (the inspiration for the blockbuster DreamWorks animated films). A new exhibition explores the breadth of this true American master’s inspired career, from his earliest New Yorker cartoons to his buoyant magazine covers and brilliantly funny reflections on love and life. Accompanying the artist’s work will be a collection of three-dimensional sculptures and assemblages created by Jeanne Steig, a gifted artist and author, and William Steig’s wife of 35 years. The installation reveals the joys of their creative co-habitation and the emergence of themes in both artists’ work which speak to their shared vision. William Steig: Love and Laughter is on view at Norman Rockwell Museum from June 12 through October 31, 2010.

Norman Rockwell Museum is also honored to announce the donation of an impressive collection of more than 800 original artworks by William Steig to the Museum’s permanent collection of illustration art. This generous gift of works spanning the artist’s seven-decade career is made possible by Jeanne Steig, who wishes to share her husband’s art though ongoing public access and preservation. “We are honored to become the custodians of this important collection of works by a true visionary in the field of illustration,” notes Museum Director and CEO Laurie Norton Moffatt. “For over seventy years, William Steig made America laugh while offering thoughtful commentary on life’s joys and challenges. Our sincere thanks to Jeanne Steig for sharing her husband’s great gift with us, which will become a cherished part of our permanent illustration collection.” “The Board of Trustees is honored that Jeanne Steig has chosen Norman Rockwell Museum as a home for an important selection of William Steig’s art,” announced Thomas L. Pulling, Chairman of the Museum’s Board of Trustees. “Steig was a master observer of daily life and human interrelations, and his art complements those same qualities in our Rockwell collections.” “William Steig made me laugh, too,” notes Jeanne Steig from her home in Boston, Massachusetts. “His drawings- which he sometimes referred to as doodles- offered an endless, tender commentary on life in the city. They will make a perfect pairing with the work of Norman Rockwell- equally tender and observant- of life in a small town. I’m
delighted to be able to combine these two wonderful bodies of work under one museum roof.”

During his lifetime, William Steig created more than 1600 hundred drawings and one hundred seventeen covers for The New Yorker, and authored and illustrated more than twenty children’s picture books, often with an existential bent. “I think I feel a little differently than other people do. For some reason I’ve never felt grown up,” observed the artist. “Steig was a keen observer of the world around him,” notes Norman Rockwell Museum Deputy Director Stephanie Haboush Plunkett, who curated the exhibition with the assistance of curators Corry Kanzenberg and Joyce K. Schiller. “He was a gifted draftsman with an exceptional ability to communicate universally understood concepts in a single image.”

William Steig: Love and Laughter shines a light on several key stages in Steig’s artistic career: from his early gag cartoons for The New Yorker; the stream-of-consciousness symbolic artworks influenced by his ongoing fascination with psychology and Pablo Picasso; to his later works as a beloved author and with llustrator of children’s books and novels. The exhibition examines recurrent themes in both artists works– from the wonders of childhood to the intricacies of friendship and romance– with inspiration drawn from mythology and classic literature. Featured works are generously donated to Norman Rockwell Museum by Jeanne Steig, and the Museum is grateful to the Eric Carle Museum of Picture Book Art for loaning original drawings from Shrek! and Alpha Beta Chowder, a book illustrated by William Steig, and illustrated by his wife Jeanne.

About William Steig

Born in Brooklyn on November 14, 1907, William Steig was the son of Eastern European Jewish immigrants, a family of artists who nurtured his creative gifts from an early age. As a child, he dabbled in painting and drawing, and was an avid reader of literature. After attending high school, he spent two years at City College in New York, three years at the National Academy of Design, and a mere five days at Yale School of Fine Arts. To help support his family during the Great Depression, Steig began shopping his drawings around to publishers, eventually landing a gig at The New Yorker. His Small Fry cartoon series, depicting children in extraordinary situations inspired by his own childhood growing up in the Bronx, became a regular feature in the magazine, and were subsequently published in a number of popular cartoon collections. In 1939, Steig released the first of a collection of “symbolic drawings” inspired by psychoanalysis and modern art, which pushed the boundaries of cartoon art. The illustrator continued to experiment with artistic style and subject matter, becoming a highly influential commentator on man’s everyday struggles, foibles, and matters of the heart.

In 1968, Steig was approached by fellow New Yorker artist Bob Kraus to
contribute a illustrated book to his new publishing line. The wordplay-based CDB! heralded the start of a successful career as a children’s book author and illustrator, and included such thoughtful, adventurous tales as Roland the Minstrel Pig (1968); the Caldecott Award-winning Sylvester and the Magic Pebble (1969); Dominic (1972); Abel’s Island (1976); The Amazing Bone (1976); the Newbery Award-winning Doctor De Soto (1982); and Shrek! (1990), which has been adapted into a highly successful animated movie series, and a Broadway play. Steig passed away on October 3, 2003, leaving behind his wife and fellow artist Jeanne; son Jeremy (a jazz flutist) and daughters Lucinda and Margit, from previous marriages, and stepchildren William James and Teryl Euvremer. His original artworks are featured in the permanent collections of many noted museums including Norman Rockwell Museum, Eric Carle Museum of Picture Book Art, Brooklyn Museum, and Chicago Art Institute, among others.


About Jeanne Steig

A native of Chicago, Jeanne Steig is the author of several books of light verse and two books of prose, including Consider the Lemming, a Parent’s Choice Remarkable Book; The Old Testament Made Easy; Alpha Beta Chowder; A Handful of Beans, a New York Times Book Review Best Illustrated Book; and A Gift from Zeus: Sixteen Favorite Myths, a Publisher’s Weekly Best Book of the Year. All were illustrated by William Steig, with the exception of Tales from Gizzard’s Grill, illustrated by Sandy Turner, and Fleas!, illustrated by Britt Spenser. Her latest book, The Lost Art of William Steig, will be published by Harry N. Abrams next year.

Jeanne Steig is also a self-taught visual artist, working almost exclusively with street finds and other discarded materials. Her vibrant dimensional artworks have been exhibited widely over the past 35 years.

Exhibition Related Programs and Events

A Member’s Exhibition Opening for William Steig: Love and Laughter will be held on Saturday, June 12, from 7 to 9:30 p.m. Artist Jeanne Steig will offer commentary about her husband’s life and career starting at 7:15 p.m., followed by a festive evening of music, dancing, and conversation; refreshments and a cash bar will be served. Free for Museum members, $25 for non-members. RSVP requested by June 7, by calling 413.298.4100, ext. 221.

American Storyteller
Uncommon Treasures: An Evening with Jeanne Steig
Thursday, July 8, 5:30 p.m.

Spend an evening with Jeanne Steig, a self-taught visual artist working almost exclusively in street finds and other discarded materials. The author of several books of light verse and prose including Alpha Beta Chowder; A Handful of Beans, a New York Times Best Illustrated Book; and A Gift from Zeus: Sixteen Favorite Myths, a Publishers Weekly Best Book of the Year and New York Times Notable Book, Ms. Steig is the widow of noted illustrator William Steig, and her art is currently on view in William Steig: Love & Laughter. Free with Museum admission.

SuperSteig Day! Festivities for Families
Saturday, July 24, 1 to 4 p.m.

Join us for an afternoon of family fun with Jeanne Steig, whose inspired creations assembled from found objects are sure to delight. Mrs. Steig, whose dimensional creations are on view, will help you turn trash into treasures during a lively art workshop for all ages. Storytelling with Ann Underland, music, interactive gallery adventures and more will celebrate William Steig: Love and Laughter and the art of the beloved illustrator. Kids free to age 18, adults free with Museum admission.

American Storyteller
Comic Genius: An Evening with Cartoonist Liza Donnelly
Thursday, August 12, 5:30 p.m.

Explore the art of The New Yorker through the eyes of its ingenious comic creators. A cartoonist for the magazine for more than 25 years, Liza Donnelley will share the best illustrated jokes, gag cartoons, and slice-of-life drawings, offering a rare first-hand glimpse of the creative process. Ms. Donnelley’s latest book, When Do They Serve the Wine, along with Funny Ladies, Sex and Sensibility, and Cartoon Marriage, will be available for signing at a reception with the artist following the program. Free with Museum admission.

American Storyteller
The Naked Cartoonist: An Evening with Robert Mankoff
Thursday, August 19, 5:30 p.m.

Join New Yorker cartoon editor Robert Mankoff for an uproarious look at
the art of humor. One of the nation’s leading comic commentators, Mr. Mankoff originated The Cartoon Bank and the Cartoon Caption Contest, and is the creator of the magazine’s best-loved comic images. A regular guest on The Daily Show, he is also the author of The Naked Cartoonist: A New Way
to Enhance Your Creativity
, The Complete Cartoons of The New Yorker, and many other cartoon collections. A book-signing and reception with the artist will follow the program. Free with Museum admission.

Laugh Out Loud! Festivities for Families
Saturday, August 14, 1 to 4 p.m.

Laugh along with your children in this Shrek-alicious family festival filled with music, storytelling, and art-making inspired by the art of William Steig. Kids free to age 18, adults free with Museum admission.

Rotten Island! A Halloween Bash
Sunday, October 31, 2 to 4 p.m.
For ages 6 and up

Celebrate the art of William Steig and a cast of extraordinary characters, from his villains on Rotten Island to well-loved friends from Shrek!, Dr. DeSoto, and Sylvester and the Magic Pebble. Mary Jo Maichack’s Halloween tales, featuring everything from Hungarian ghosts to goofy vampire jokes, will be sure to delight with just the right amount of fright. Art activities and seasonal treats will be served. $6, $5 for Museum members.

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"Saturday Evening Post," September 26, 1936. Artwork by Norman Rockwell. ©1936 SEPS: Licensed by Curtis Publishing, Indianapolis, IN.

"Barbershop Quartet,” Norman Rockwell, 1936. ©1936 SEPS: Licensed by Curtis Publishing, Indianapolis, IN.

Norman Rockwell Museum will present a series of live music performances during the months of July and August. All events are free with Museum admission.

Pneuma Brass Quintet
Thursday, July 1, 5:30 p.m.
Kick off the 4th of July weekend with a special Independence Day-inspired by this Massachusetts-based brass quintet.

Berkshire Choral Festival
Wednesdays, July 14, 21, 28, and August 4, 2:30 p.m.
Enjoy spirited performances of American music with these Berkshire-based singers.

Music and the Movies: An A Cappella Evening with Quintessential
Thursday, July 22, 5:30 p.m.
Enjoy an evening of songs from the silver screen with Quintessential, a Berkshire-based ensemble of a cappella singers, whose performances are a mix of wit and whimsy. The event is part of the Museum’s ongoing “American Storytellers” lecture and performance series, and is sponsored by “The Albany Times Union.”

Classic Folk: An Evening with The Berkshire Ramblers
Thursday, July 29, 5:30 p.m.
Join Roselle and Alan Chartock, Joe Brady and friends, for a evening of classic folk music. These regional musicians have been sharing their love for this time-honored American art form for well over 40 years. The event is part of the Museum’s ongoing “American Storytellers” lecture and performance series, and is sponsored by “The Albany Times Union.”

The Stockbridge Sinfonia
Saturday, August 21, 2 p.m.
Enjoy an afternoon of music with this long-running community orchestra, which celebrates the talents of developing musicians and seasoned performers. Free. Museum admission is additional.

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Day in the Life: Norman Rockwell's Stockbridge Studio

Norman Rockwell's Stockbridge studio (interior). ©Norman Rockwell Museum. All rights reserved.

The reopening of Norman Rockwell’s Stockbridge studio sets the stage for an exciting series of programs and events this May at Norman Rockwell Museum, including the second annual World Rhythms Community Day, an evening lecture with Vanity Fair contributing editor David Kamp, and the opening of a new exhibition on Norman Rockwell’s career with the Boy Scouts of America.

Exhibitions

Norman Rockwell and the Boy Scouts of America

May 29 through November 27, 2010

In celebration of the 100-year anniversary of The Boy Scouts of America, this exhibition offers an insightful look at Norman Rockwell’s extensive body of work for The Boy Scouts- from his early career as art editor for Boys’ Life magazine, to his fifty-year commitment to creating the organization’s annual calendars. Learn about the artist’s association with The Boy Scouts through original tear sheets, personal mementos, and props.

Norman Rockwell: A Life in Art

Through June 20

Connect with Norman Rockwell through this in-depth exhibition featuring original artworks spanning the breadth of his career, and personal mementos and family photographs from the Norman Rockwell archives.

To Rockwell, With Love: Fan Mail and The Saturday Evening Post

Through May 16, 2010

Step back in time to explore Norman Rockwell’s imagery for The Saturday

Evening Post, which prompted an outpouring of reader reaction during the

artist’s forty-seven year tenure with the magazine. Shifting American values, reform and the New Deal, World War II and the rise of national identity, the Baby Boom and the growth of the middle class, and the politicization of the American populace are some of the themes that will be brought to life in this engaging and informative installation, which features archival fan correspondence and original Saturday Evening Post

tear sheets.

Norman Rockwell: Behind the Camera

Through May 31, 2010

Find a fascinating parallel universe to Norman Rockwell’s paintings in the meticulously composed photographs that informed his work. Based on the recently released book Norman Rockwell: Behind the Camera and advances in the Museum’s ProjectNORMAN digitization project, the exhibition pairs Rockwell’s photographic references with original artwork to reveal, frame-by-frame, the creation of the artist’

s iconic paintings.

Norman Rockwell’s Stockbridge Models:

A Norman Rockwell Museum Historic Preservation Project

Stockbridge Town Hall, Stockbridge, Massachusetts

Ongoing

Learn more about the faces behind the pictures in this off-site exhibition of photographs of Rockwell’s models posing for his paintings. Free admission. Open weekdays only.

Special Event

World Rhythms Community Day

Sunday, May 2, 12 to 4 p.m.

Norman Rockwell’s 1960 painting Golden Rule provides the inspiration for an afternoon of family fun with an international flavor, featuring multicultural music; traditional kamishibai Japanese storytelling; ethnic displays; art-making opportunities; a display of classic 1960s cars; a Runaway-inspired diner; and the reopening of Norman Rockwell’s Stockbridge studio. Kids 18 and under are free, adults free with regular Museum

admission.

International Museum Day

Tuesday, May 18, 10 a.m. to 5 p.m.

In celebration of International Museum Day, adults and seniors receive $5 off Museum admission; children 18 and under are free through Kids Free Every Day, a gift to families from Country Curtains, Blantyre, and The Red Lion Inn. Request this special one-day discount at the admission desk.

Norman Rockwell’s American Dream: An Evening with David Kamp

5:30 p.m.

Join us in conversation with author David Kamp, contributing editor to

Vanity Fair, whose commentary on Norman Rockwell: Behind the Camera appeared in the magazine’s November 2009 issue. $10, $7 Museum members, or free with Museum admission.

Workshops for Kids and Families

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Artwork by Michael Fay. ©Michael Fay. All rights reserved.

Norman Rockwell Museum will present a talk with Chief Warrant Officer and combat artist Michael Fay on Thursday, August 5, starting at 5:30 p.m. One of two combat artists currently employed by the United States Marine Corps, Mr. Fay will share stories of his experiences in the field through artwork which reflects his personal observations of military life in Iraq and Afghanistan. Fay notes that “my intent, especially in view of current events, is to give people… another insight as we all struggle to understand this unfolding drama called the War on Terrorism.”
The lecture is free with Museum admission, and presented as part of the Museum’s ongoing “American Storytellers” series, co-sponsored by “The Albany Times Union.”

About Michael Fay

Marine Chief Warrant Officer Michael Fay is a reservist from Fredericksburg, Virginia. Born in Allentown, Pennsylvania, Fay is the eldest son of a Marine officer who served before and during World War II. The artist began his own tenure in the Marines from 1975 to 1978 as an infantryman, and attained the rank of sergeant. After pursuing a Bachelor of Science Degree in Art Education from Pennsylvania State University, he re-enlisted and served on active duty for a decade, from 1983 to 1993. During this period, he participated in Operations Desert Shield and Desert Storm, and after a hiatus, became a combat artist with the Field History Detachment supporting the Historical Division of the Marine Corps in 2000. As an official Marine Corps combat artist, Fay has been mobilized for extended periods and has served several tours in Afghanistan and Iraq. Learn more on the artist’s
blog: http://mdfay1.blogspot.com

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Norman Rockwell meets with Senator Robert Kennedy at the Plaza Hotel, New York, New York, in 1968, prior to painting his portrait for the April 16, 1968 edition of "Look" magazine. Photograph by Ben Herzog. Licensed by Norman Rockwell Licensing, Niles, IL. From the permanent collection of Norman Rockwell Museum.

As an illustrator for the widely disseminated “Saturday Evening Post,” Norman Rockwell achieved celebrity status early, and his covers were so popular that thousands of readers felt comfortable enough to personally correspond with the artist about his work. Norman Rockwell Museum will present a dramatic reading of several selections from Rockwell’s fan mail letters, during a performance/brunch to be held at the Museum on Sunday, July 11, starting at 11 a.m. Experience the outpouring of reader reaction to Rockwell’s work during his 47 years creating illustrations for “The Post.” Jeffrey Borak, arts and entertainment editor for “The Berkshire Eagle,” and actress/designer Hope Aaron will perform readings of many of the heartfelt letters the artist received from around the world. Archivist Jessika Drmacich, who curated the Museum’s winter 2010 exhibition “To Rockwell with Love: Fan Mail and ‘The Saturday Evening Post,’” will offer cultural perspective. Admission to the event costs $20, $16 for Museum members, with a delicious brunch menu included. To RSVP call 413-298-4100 x 221

“Rockwell and the Movies”
On view through October 31, 2010

Though Norman Rockwell is often identified with hometown life in New England, he was a frequent visitor to California, and was called upon by Hollywood to create imagery for posters advertising entertaining feature films of his day.

This installation exploring Rockwell’s art for the movies features original paintings, vintage posters, lobby cards, and original portraits of movie stars drawn from the Museum’s Art and Archival Collections and private collections of Rockwell’s art. “The Magnificent Ambersons” (1941), “The Song of Bernadette” (1943), “Along Came Jones” (1945), “The Razor’s Edge” (1946), “Cinderfella” (1960) and the 1966 remake of the classic, “Stagecoach,” are among the films the artist branded with his signature style of realism and narration.

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Reference photo for Norman Rockwell’s The Runaway, 1958. Photographer unidentified. Licensed by Norman Rockwell Licensing, Niles, IL. From the permanent collection of Norman Rockwell Museum.

A landmark exhibition that has shed new light on Norman Rockwell’s art and artistry, continues its successful run at Norman Rockwell Museum with an extended series of related programs and events. “Norman Rockwell: Behind the Camera” explores Rockwell’s richly detailed study photographs, created by the artist as references for his iconic paintings. Covered by such diverse outlets as “Vanity Fair,” NPR Radio, and “The Smithsonian Magazine,” the exhibition was organized with author and guest curator Ron Schick, whose companion book of the same name was released late last year by Little, Brown and Company; landing on several best-of book lists for 2009. 
Made possible through ProjectNORMAN, the Museum’s long-term digital preservation project, and a grant from “Save America¹s Treasures,” “Norman 
Rockwell: Behind the Camera” brings together approximately 120 prints of Rockwell’s study photographs and 25 original paintings and drawings linked to the photographs on display. The photographs- painstakingly staged by Rockwell and involving an array of models, costumes, props, and settings- exist as fully realized works of art in their own right. In addition to original art from Norman Rockwell Museum’s collection, several significant works from such noted institutions as The Brooklyn Museum, The National Air and Space Museum, The Columbus Museum of Art, The Memorial Art Gallery, and The Eastman Kodak Company, are also featured in the exhibition. The result is a fascinating frame-by-frame view of the development of some of Rockwell’s most indelible images. Generous support for “Norman Rockwell: 

Behind the Camera” is provided by the Stockman Family Foundation. 

  

Related Programs and Events

The Artist & The Photograph: Contemporary Perspectives Saturday Series
February 27, March 26, and April 24, 5:30 p.m. 
Spend inspiring evenings with noted photographers, who will explore contemporary pathways in photography, from assembled narration to the moving image. A reception with the artists will follow. $10, $7 Museum members. 
Featured artists include: 

-Kevin Sprague (February 27) 

-Gregory Crewdson (March 26) 

-Jonathan Doster (April 24) 

Picture This: Writing with Photographs
Saturday, March 6, 10 a.m. to 3 p.m. 

This engaging writing experience with author/educator Vivian Dorsel explores the use of photographs as inspirational visual memoir that can spark the writing process. $15, $10 Museum members. 

A Workshop for Educators
Focus Group: Museums, Libraries, and Schools Connect

Saturday,March 20, 10 a.m. to 2 p.m.

Educators and librarians are invited to join Museum education staff for a presentation of ProjectNORMAN, the upcoming digital database of Norman Rockwell’s work. Refreshments will be served. Free. To register, call 413.298.4100, ext. 260, or e-mail prog@nrm.org. 

Camera Clinic: Get More Out of Your Digital Camera
Saturday, April 17, 10 a.m. to 1 p.m. 

Talented photographer Sabine Vollmer von Falken will help you navigate your digital camera to achieve outstanding results. Fledgling and experienced photographers are welcome. $12, $8 Museum members. 

Uncovering the Covers of the “Post”
Thursday, May 13, 12:30 p.m. 

Norman Rockwell Museum Chief Curator Stephanie Plunkett takes visitors “behind the camera” to explore Norman Rockwell’s extensive use of photography in creating his famous covers for “The Saturday Evening Post.” Beverages and dessert provided. $6, $4 Museum members, or free with Museum admission. 

Norman Rockwell’s American Dream: An Evening with David Kamp
Saturday, May 29, 5:30 p.m. 

Enjoy a discussion with author David Kamp, contributing editor to “Vanity Fair,” whose commentary on “Norman Rockwell: Behind the Camera” appeared in the magazine’s November 2009 issue. $10, $7 Museum members, or free with Museum admission. 

 

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"The Catch," "Norman Rockwell

"The Catch," Norman Rockwell, 1919. Oil on canvas, 29" x 29". Cover illustration for "Country Gentleman," May 3, 1919. Gift of the Rodger P. Nordblom Family. From the permanent collection of Norman Rockwell Museum.

Norman Rockwell Museum announces the recent acquisition of several important original works of art by noted American illustrators, including its namesake Norman Rockwell, Charles Dana Gibson, James Montgomery Flagg, Victor C. Anderson, Winfield Scott Lukens, Tom Lovell, Thomas Fogarty, Fletcher Martin, and Saul Tepper. The donations will enhance the Museum’s growing collection of illustration art.

“We are delighted that ardent collectors of America’s important visual culture are choosing Norman Rockwell Museum as a home for their beloved illustration collections,” noted Laurie Norton Moffatt, the Museum’s Director and CEO. “Norman Rockwell Museum is the home of American illustration, and we are growing a collection of illustration art that tells the story of America. We are grateful to have received gifts of inestimable cultural value- important Norman Rockwell paintings and beautiful cultural icons by other noted illustrators- Norman Rockwell Museum is the best home for this wonderful art. The Museum has received more than two dozen works valued at more than $10 million, since the start of our comprehensive campaign.”

As the custodians of the world’s largest collection of original artwork by Norman Rockwell (1894-1978), the Museum continues to collect works by the beloved illustrator. Through the generosity of the Rodger P. Nordblom family, the Museum has acquired two 1919 paintings the artist created for “The Country Gentleman”: “Fishing Trip, They’ll Be Coming Back Next Week” and “The Catch.” The paintings were part of a series of cover illustrations Rockwell created for the magazine between 1917 and 1920, following the antics of four fictional young boys: Master Reginald Claude Fitzhugh, Tubby Doolittle, Rusty Doolittle, and Chuck Peterskin. The illustrations were published consecutively, in order to complete a narrative about the boys’ varying degrees of success during a fishing trip.

Another theme which Rockwell revisited several times during his career, was the story of children disobeying a “No Swimming” sign. For the June 15, 1929 cover of “The Saturday Evening Post,” the artist created an illustration which featured a bashful young girl averting her eyes from the disorderly display, while passing by the familiar hand-painted sign. The striking oil on canvas painting for the cover has been generously donated to the Museum by Jeanie Kull Low and John T.C. Low; the original model for the little girl, Ms. Low had always wished that the painting eventually be donated to Norman Rockwell Museum in her memory.

Representing work created by other artists, two of the Museum’s most recent acquisitions come courtesy of acclaimed portrait artist Everett Raymond Kinstler, who began his career as an illustrator. With artwork featured in the Museum’s permanent collection, Mr. Kinstler is perhaps best-known for his singular portrayals of such celebrated figures as John Wayne, Katharine Hepburn, and President Ronald Reagan; his most recent donations to Norman Rockwell Museum are important works by two significant Golden Age Illustrators: Charles Dana Gibson and James Montgomery Flagg. Gibson (1867-1944) created indelible images from the 1890s through 1910, which defined the age; remembered for his creation of the iconic Gibson Girl, the artist also produced illustrations for many popular books and magazines of the day. The Museum’s latest acquisition of original Gibson art, is one of 56 illustrations the artist created for author Robert W. Chambers’ 1911 novel “The Common Law;” the finished work was originally a gift from Gibson to fellow illustrator James Montgomery Flagg (1877-1960).

Flagg enjoyed his own considerable success and fame as an artist; at his peak, he was reported to have been the highest paid magazine illustrator, and is perhaps best-known for creating the 1917 World War I recruitment poster featuring Uncle Sam alongside the caption “I Want YOU for U.S. Army.”
As an aspiring illustrator, Everett Raymond Kinstler contacted Flagg during his youth, hoping to learn all that he could from a true master. A masterful artist himself today, he has generously donated to the Museum two rare oil paintings created by Flagg, ensuring the preservation and ongoing access to the accomplishments of his artistic mentor.

Other recent illustration art acquisitions include “Nurse with a Wounded Soldier,” a poignant 1943 study by Fletcher Martin (1904-1979), an artist war correspondent for “Life,” which published the final illustration on the magazine’s cover; this important donation is one of a series from Norman Rockwell Museum Trustee Steven Hirsch, which will enhance the Museum’s holdings from the World War II period. Recalling a different era, the Museum has also received a late 1890s frontier-themed painting by Winfield Scott Lukens (active 1896-1905), donated by contemporary illustrator and Norman Rockwell Museum Trustee Wendell Minor; and “The Man Without a God,” an early 1920s illustration by Victor C. Anderson (1882-1937). The Anderson work, whose theme recalls Norman Rockwell’s iconic 1942 painting “Freedom of Speech,” was donated by Norman Rockwell Museum National Council Member Robert T. Horvath, an accomplished artist and library director from Saint Michaels, Maryland. Inspired by his early interest in comics, Mr. Horvath has had a passion for illustration throughout his life, and over the years has donated many significant artworks to the Museum’s collection, including a fine pen and ink drawing by Norman Rockwell’s teacher Thomas Fogarty, and oil paintings by Rockwell’s studio mate, illustrator Edmund Ward. Collected through the years, Mr. Horvath’s outstanding collection of illustration art is generously intended for Norman Rockwell Museum.

Through the decades, the art of illustration has looked deeply into society, reflecting and shaping a rapidly changing world. Gifts of art to Norman Rockwell Museum makes continued scholarship possible for researchers today and into the future. To learn more, or to make your own tax-deductible donation of original Norman Rockwell or illustration art, please contact Norman Rockwell Museum’s Curatorial Department at 413.298.4100, ext. 208

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Norman Rockwell Museum shares the love during the month of February with a lively series of programs, events, and exhibitions. Highlights include drop-in art workshops during school vacation week, a special evening with noted photographer Kevin Sprague, and the opening of an exhibition of original Rockwell art and personal mementos, and the Annual Berkshire County High School Art Show.

Exhibition Openings

24th Annual Berkshire County High School Art Show

February 6 through March 7 Our annual showcase of artwork from Berkshire County’s talented youth. Enjoy vibrant works from the region¹s next generation of artists. Sponsored by Legacy Banks.

“Norman Rockwell: The Making of an American Icon”
February 13 through June 20

Connect with Norman Rockwell through this in-depth exhibition featuring original artworks spanning the breadth of his career, and personal mementos and family photographs from the Norman Rockwell archives.

Workshops for Kids and Families

Paint Up a Storm!
School Vacation Week Workshops
Monday through Friday, February 15 through 19, 1 to 4 p.m.

Paint up a storm in this exciting program for budding artists. Children will experiment with a variety of painting media and techniques to create colorful, memorable works of art. Ages 7 and up. Take one or take them all. $6, $5 Museum members.

Note: The Museum will be open the entire school vacation week until 5 p.m., including Tuesday, February 16.

Got Ink? Creating a Graphic Novel
Teen Art Workshop

Saturday, February 20, 10 a.m. to 3 p.m.

Gifted educator/graphic novelist Tim Callahan will guide young cartoonists through the process of moving an idea from first frame to finished comic. Ages 13 and up. $8, $6 Museum members.

Programs for Adults and/or All Ages

The Artist & The Photograph: Contemporary Perspectives Saturday, February 27

Photographer Kevin Sprague explores contemporary pathways in the art of photography.   $10, $7 Museum members.

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